1909 Studios is a dedicated creative and commercial venture for Coritiba, operated by IHC. It builds the brand assets the club can sell, and runs a dedicated commercial team that sells sponsorship across digital and physical. The club funds the build; IHC operates it and shares the result. The documentary series already proved the model works.
Coritiba is playing in Série A at its highest visibility in ten years. What gets built in the next months defines the 2027–2030 cycle.
Football changed. Sponsors no longer buy signage. They buy activation, content, relationship and cultural relevance. The clubs that understood this first are building their own media operations, their own business networks and their own narratives with international reach.
The documentary series is already living proof: R$ 850K raised, two active sponsors, an Encripta distribution letter toward Amazon Prime, a validated 50/50 model. What we propose now is to turn that into a permanent engine.
One venture, 1909 Studios, operated by IHC: it produces the inventory the club can sell and sells the sponsorship. Club and operator are partners on the result, not a vendor-client relationship.
PrinciplePartners on the work and the upside. Coritiba funds the build and provides access; IHC brings creative intelligence, management and relationships. The result is shared.
Proven modelThe 50/50 documentary model is already validated. 1909 Studios extends that discipline across media, network and sponsorship sales.
ReachCuritiba, Brazil and international markets. Partners and channels the club does not access today.
Months of work consolidated into real numbers, and three ways into the detail of each front.
A 12-episode documentary across two seasons. R$ 850K already raised, validated 50/50 model and an Encripta distribution letter. Contracted separately — the proof that the partnership works.
An in-house media operation in the Tottenham Clubhouse / Manchester City Studios model. Branded content, podcast, TV Coxa, matchday cinema. The factory that builds new sellable inventory.
A paid, curated business network owned by the club. Memberships, events, executive connections, a differentiated sponsorship counterpart.
Early 2026 reset the Brazilian sponsorship market. Betting pulled back. Traditional sectors are looking at football again. Clubs need new products to sell.
in Série A entered 2026 without a master sponsor. Coritiba, Athletico, Grêmio, Internacional, Vasco and Bahia — all undefined as of April.
Source · Poder360, Jan 2026
Pullback of betting companies as Série A master sponsors in 2026 vs. 2025. Space opening for other sectors to reposition.
Source · Poder360, Jan 2026
of total Série A sponsorship volume is concentrated in three sectors: finance, betting and health. Sector diversification is a competitive edge.
Source · IBOPE Repucom, 2024
"Clubs need to rethink their strategy and look for brands that, even paying less, can generate more value through activations and fan relationships."
César Somoggi · Sports marketing consultant · Poder360, 2026The first IHC × Coritiba front, in active development since 2025. Two sponsors closed, an international distribution letter, a validated 50/50 model, a full return plan. It is contracted on its own — and it is the evidence the rest of this venture stands on.
Season 1 (2026) tells the club's history through its idols and its supporters. Season 2 (2027) covers the SAF era and the arrival of IDV, in a narrated, curated format the club controls end to end. A self-sustaining financial model: the club raises and produces, and shares revenue with IHC only after full break-even.
The project is consolidated as a complete system. Above the R$ 3.5M break-even, the series generates recurring revenue from parallel sources — cinema, digital platform, international licensing, branded content, a derivative-project ecosystem and public funding (Sports Law + Audiovisual Law).
Strategic investment and return analysis. Sponsorship structure, revenue sources, public funding, content ecosystem, 3-year return projection.
Open document ↗Full commercial pitch. Synopsis, episodes, Master/Premium/Support/Special packages, detailed counterparts, Encripta route to Amazon Prime and Apple TV.
Open document ↗Tottenham, Manchester City, Chelsea and Barcelona have run their own studios for years. 1909 Studios adapts that model to Coritiba — operated by IHC. This is the factory that manufactures new, sellable inventory.
Every piece the Studio produces is inventory that turns into revenue. Branded content becomes a sponsorship counterpart. Documentaries become licensable assets. The podcast becomes owned media with a dedicated package. TV Coxa becomes a direct line to the fan — and data into the CRM.
The Studio is Coritiba's audiovisual and content operation, run by IHC. The club funds an annual inventory-production budget of R$ 2–3M and provides structure and access (space, equipment, brand, audience). IHC operates the studio, produces the assets, and runs a dedicated team of creators and commercial people.
This budget is an investment, not a cost. It manufactures the new products the club can sell. With more and better inventory, sponsorship is worth more and easier to close — the budget pays for itself through the revenue it unlocks.
It is not a communications department. It is a commercial production unit that exists to generate revenue, raise the value of existing packages, create new sellable products, and give Coritiba the media presence the moment demands. Public funding available to the series also reaches Studio projects.
And there is a quiet multiplier: every piece of content is also an audience-capture asset. Content drives engagement, engagement becomes data, data strengthens the club CRM, and a mature CRM converts followers into paying members at a far higher rate than paid media. The Studio doesn't just make media — it feeds the growth of the member base, today at 35K, with real room to grow through the 2027–2030 cycle.
Every current and future sponsor gets a production package built into the deal. Beyond what's included, it becomes extra Studio revenue.
Owned media with editorial identity. Behind-the-scenes, idols, SAF executives. A dedicated package per episode and season.
Digital content hub. Behind-the-scenes, training, interviews, integrated sponsor content. A licensing showcase and a data source for the CRM.
Institutional films, package-prospecting pieces, suite and membership sales. Cinematic language at Série A standard.
Matchday behind-the-scenes shot like cinema. Distributed across the week, feeding the club's channels and the sponsors' channels.
The current series opens the road. More will come — on idols, seasons, the club. Licensing for broadcast and streaming. Public-funding eligible.
The Studio produces a continuous volume of Série A-grade media — behind-the-scenes, podcast, branded, TV Coxa.
Quality content drives real engagement — comments, shares, time-on-page, returns.
Engagement becomes data. Data strengthens the club base — profile, behavior, history, segmentation.
A mature CRM converts followers into members at a far higher rate than paid media alone.
In-house studio with 3 sets, an XR suite (first at a European club), edit suites. A full-service branded-content operation. Opened 2024.
In-house B2B department launched 2022. Live, behind-the-scenes, documentaries, social, activations. Distributed on City+, Recast, social.
Own production arm + Barça TV+ feeding the CRM. Stated goal: rival agencies and platforms for media budget.
Big sponsors don't buy signage. They buy access, network, relevance. Coxa Business delivers exactly that — curated, paid and continuous.
Entrepreneurs from the fanbase + sponsor executives + business leaders from Curitiba and Paraná, gathered into a curated, paid relationship network, with belonging to the brand of a 116-year-old club.
Coxa Business is an autonomous commercial product of the club: member companies pay a monthly or annual fee to belong to a relationship network with Coritiba as the vehicle. Curated events, executive gatherings, closed-door dinners, structured connections, exclusive content from business leaders.
Members pay because the product delivers three things the Curitiba market doesn't have together: a high-value relationship network, symbolic belonging to a powerful affective brand, and brand visibility inside a qualified community.
For the club, it is direct recurring revenue (memberships) and, more importantly, a sponsorship counterpart. Master and Premium packages include Coxa Business access — which raises the perceived value of the package and justifies higher pricing without adding jersey or stadium exposure.
Monthly or annual fee. Admission criteria. Tiers (Founder, Executive, Standard). Limited seats per tier.
Monthly business breakfasts, bimonthly closed dinners, relationship trips. Couto Pereira as a symbolic asset — spaces the ordinary fan can't access.
Member-to-member matching. Sponsor-to-sponsor. Entrepreneur to club executive. All structured and curated — not by chance.
Podcast with members and market executives. Bi-weekly opportunities newsletter. Recorded interviews and connections — produced by the Studio.
Master package includes N Coxa Business seats. Premium packages include partial access. A competitive edge when defending package pricing.
On Série A matchdays, members get their own space. A different tier of hospitality, positioned as a Business asset — not a standard suite.
Launched April 2026. A program for local companies with three tiers: visibility, networking and preferred partnership. Replicable and lean.
A global paid network of football executives. Own app, monthly online meetings, an annual in-person summit. A fee defensible by the value delivered.
Tottenham, Arsenal and Man City run business clubs alongside hospitality. Significant recurring revenue and the main counterpart of premium packages.
In months, IHC brought a new deal to the club, actively took part in renewing another, and opened international prospects — all while building the series. Imagine it with a mandate, a team and focus.
A dedicated commercial team selling sponsorship across digital and physical. The focus is the 2027 Master and structuring the 2027–2030 cycle, with the runway to prospect, close and activate before the next season.
Between October 2025 and April 2026, IHC brought Coritiba a new deal — OutdoorMídia (R$ 500K) — and actively took part in the sale with Princesa dos Campos (R$ 350K, a current-sponsor renewal). In parallel it opened active prospects (Master Cargas, Dubai contacts, ex-presidents). All of it as a natural byproduct of the series, with no sales contract and no agreed commission.
What we propose now is to formalize this as a dedicated front, with a clear mandate. IHC takes exclusivity on digital sponsorship and on the new products it creates, and a 10% commission on jersey, suite and naming-rights deals it originates. The model aligns incentives: IHC earns when the club earns.
Immediate focus: close the 2027 Master and structure the 2027–2030 cycle with sector diversification beyond betting/finance/health — automotive, construction, telecom, real estate, all underrepresented in Série A.
Each front feeds the next and amplifies the last. Apart, they're four reasonable fronts. Connected, they form the infrastructure that puts Coritiba ahead of most Brazilian clubs across three cycles.
Generates narrative, international audience and a lasting catalog. Feeds the Studio with IP and format.
Produces the inventory that becomes counterparts for Business and a sales tool for Commercial.
Creates a differentiated counterpart that raises package value. Lifts the average ticket Commercial can defend.
Closes higher-ticket deals. Revenue capitalizes the Studio and finances the next seasons of the series.
"We are in the entertainment industry. Through the Clubhouse, we now lead the way in European football in creating formats for fans and producing branded content for partners."
Pierre-Olivier Bouche · Media Director · Tottenham Hotspur · 2024The IHC × Coritiba relationship doesn't start now. There is a substantial body of work delivered since October 2025 — in project development, active sales and institutional structuring.
First meetings with the SAF. The documentary conceived as a product. Initial narrative design, tone and references (The Last Dance, Senna, Ronaldinho Gaúcho). Management approval to proceed.
Complete pitch deck. Narrative bible. International partners identified and approached. Encripta enters as the bridge to Amazon Prime. Austral confirms co-production interest.
A formal distribution letter received from Encripta, validating the project internationally. Return plan consolidated with the 50/50 model and content ecosystem. Production contract framework drafted with a detailed financial model.
OutdoorMídia (R$ 500K, a new deal brought by IHC) and Princesa dos Campos (R$ 350K, a current-sponsor renewal with active IHC participation) — totaling R$ 850K, 24% of the series target. Master Cargas in prospecting. Deal tracker built, sales materials produced.
New leadership at the SAF (the IDV group, with André Campestrini as CEO). The plan reframed for the new moment: a single creative and commercial venture — 1909 Studios — operated by IHC, built around the proven series.
One venture operating as a single system. Structure proposed for the next 12 months. Immediate start on approval.
The club funds the build; IHC operates it and earns on the result. A R$ 2–3M annual inventory budget, a dedicated team, commission on what is sold, and shared revenue on the products IHC designs and runs. A 2–3 year term.
| Front | Model | Coritiba provides | How IHC earns |
|---|---|---|---|
| The StudioInventory production | Club-funded budget + revenue share | R$ 2–3M / year inventory budget (committed) + structure, access, audience | Operates the budget with margin + share of revenue the inventory generates |
| CommercialSponsorship sales | Commission + exclusivity | Sales mandate + exclusivity on digital & new products | 10% on jersey, suite & naming deals it originates + digital sponsorship revenue |
| Coxa BusinessRelationship network | New product · shared revenue | Brand, spaces (Couto Pereira, CT), institutional access | Share of program revenue (memberships + events + dedicated package) |
| The SeriesThe anchor | Co-production · 50/50 post break-even | Production investment via raised sponsorship + institutional backing | Production fee + 50% of all revenue post break-even (separate contract) |
| Common principle | The club's R$ 2–3M is an investment in inventory, not a cost: it manufactures products that unlock far greater sponsorship revenue. IHC operates without a disconnected retainer, earns on results, and stays an independent operator. Same principle already validated by the series. | ||
The annual budget is committed and paid on a fixed schedule. Specific revenue-share percentages, exclusivity scope and the contractual term (2–3 years) are detailed in the agreement upon approval.
A phased structure for the next 12 months, with overlap between fronts. Revenue starts coming in from the second quarter of the operation.
International House of Cinema. Curitiba, Brazil. Operating across Brazil, the United States and international partnerships. Cinema, series, documentary, branded content, audiovisual IP.
IHC operates as an integrated creative house. Authorial direction, executive production, visual finishing, international distribution and IP development — all within one team.
Its positioning is clear: to build the reference of the next generation of Brazilian producers, in authorial narrative and international technical quality.
For Coritiba, IHC brings more than technical capacity: it brings systemic thinking about product, IP and ecosystem. Each project is part of a larger system — not an isolated piece.
First Brazilian film mixed in Dolby Atmos 9.1.2. Awarded at WorldFest Houston and the Moscow Film Festival. European premiere at the Marché du Film, Cannes.
Coração de Neon X (PRONAC 25-1215, R$ 3M approved) and Te Ensino a Ficar Rico Rápido! (PRONAC 25-1304, R$ 7M approved) — both approved.
IHC Virtual Studio (AI-integrated pipeline), PR automation, cinematic distribution via IHC Distribuição, Os Monstros do Cinema (automated audiovisual education).
FSA/BRDE in development (R$ 2M, Modality III). National and international catalog being structured. Encripta partnership for Amazon Prime Video access.
Twelve months toward the Série A year. The series opened the road. The Studio, Business and Commercial complete the system. Operated by IHC, with club and operator partners on the result.